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[DVD5 - ITA ENG - sub ITA - FULL] Grindhouse - Planet Terror (SPG - UF)

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[DVD5 - ITA ENG - sub ITA - FULL] Grindhouse - Planet Terror (SPG - UF)







POSTER







Original Title:	Planet Terror

Nation: USA

Year: 2007

Runtime: 105 min.

Genre: action, horror, splatter

Direction: Robert Rodriguez

Subject: Robert Rodriguez

Screenplay: Robert Rodriguez

Productor: Robert Rodriguez, Quentin Tarantino, Elizabeth Avellan

Executive Productor: Harvey Weinstein, Bob Weinstein, Shannon McIntosh

House Of production: Dimension Films, Rodriguez International Pictures, Troublemaker Studios

Photography: Robert Rodriguez

Edited: Robert Rodriguez, Ethan Maniquis

Special effect: John McLeod

Music: Robert Rodriguez, Graeme Revell, Carl Thiel

Musical Theme: Grindhouse (Main Titles)

Scenography: Steve Joyner

Clothing: Nina Proctor

Make-up: Greg Nicotero, Howard Berger







CAST



    * Rose McGowan: Cherry Darling

    * Freddy Rodriguez: "El" Wray

    * Marley Shelton: dottoressa Dakota Block

    * Josh Brolin: dottor William Block

    * Michael Biehn: sceriffo Hague

    * Naveen Andrews: Alby

    * Michael Parks: Earl McGraw

    * Jerili Romeo: Ramona McGraw

    * Tom Savini: vicesceriffo Tolo

    * Rebel Rodriguez: Tony Block

    * Carlos Gallardo: vicesceriffo Carlos

    * Electra Avellan: gemella

    * Elise Avellan: gemella

    * Quentin Tarantino: soldato stupratore

    * Stacy Ferguson: Tammy Visan

    * Jeff Fahey: J.T. Hague

    * Bruce Willis: tenente Muldoon









DETAILS



Format: DVD5

Dimension: 4.4 GB

Languages: Italiano DD 5.1 - English DD 5.1

Subtitles: Italiano

Menù: SI / YES

Extra: SI / YES  --> 10 minuti di scuola di cinema - trailer - cast artistico - cast tecnico - crediti

















TRAMA (Italiano)



Robert Rodriguez, co-regista di Sin City, ci regala Planet Terror, una visione retrofuturistica sul genere horror
deteriorato, spogliato e invecchiato fino a raggiungere la perfezione. Durante il turno di notte in ospedale una coppia
di medici formata da William e Dakota Block (Josh Brolin e Marley Shelton) si ritrovano invasi da una folla di persone
coperte da piaghe cancrenose e con uno sguardo sospettosamento vacuo negli occhi. Tra questi c'è anche Cherry
(Rose McGowan), una ballerina che lavora in un locale notturno la quale ha perso una gamba durante un'aggressione lungo
la strada. Wray (Freddy Rodriguez), è al suo fianco e la controlla. Pur essendo ferita, Cherry è
dispiaciuta per non aver potuto eseguire il suo ultimo numero di ballo. E mentre la folla di invalidi si trasforma in un
mucchio di aggressori arrabbiati, Cherry e Wray si mettono alla guida di una squadra di improvvisati guerrieri e si
lanciano alla conquista della città, decisi ad andare incontro ad un destino che lascerà milioni di
persone infettate, un numero infinito di morti e uno sparuto gruppetto di fortunati sopravvissuti a lottare con tutte le
forze per trovare l'ultimo angolo sicuro su Planet Terror. (Fonte: filmup.it)







PLOT (English)



In a rural town in Texas, go-go dancer Cherry Darling (with a leg/machine gun), decides to quit her low-paying job and
find another use for her numerous 'useless' talents. Cherry's ex-boyfriend, El Wray, at the Bone Shack, a restaurant
owned by J.T. Hague, a group of military officials, led by the demented Lt. Muldoon, are making a business transaction
with a scientist named Abby for a deadly biochemical agent known as DC2 codename "Project Terror", but when
Muldoon learns Abby has an extra supply on hand, he attempts to take Abby hostage and Abby intentionally releases the
gas into the air. As gun-legged Cherry Darling and one man wrecking crew El Wray try to save the world from a horde of
flesh-eating zombies. (Source: IMDB)









RECENSIONE (Italiano)



E’ inutile soffermarsi nuovamente a raccontare tutte le motivazioni che hanno portato alla scissione di
“Grindhouse”, confezionato dall’accoppiata Quentin Tarantino-Robert Rodriguez con l’intenzione
di omaggiare l’omonima categoria di film che negli Anni Settanta venivano proiettati uno dopo l’altro in
sale cinematografiche americane ormai decrepite, in due distinti lungometraggi: “Grindhouse-A prova di
morte” e, appunto, “Grindhouse-Planet terror”, che del paio è quello che porta la firma
dell’autore di “Dal tramonto all’alba” (1996) e “Sin city” (2005).

Quindi, cominciamo di nuovo con audio gracchiante, pellicola graffiata e salti di fotogrammi, mentre assistiamo subito
ad un esilarante tripudio di violente immagini-parodia della più bassa produzione exploitation a stelle e
strisce, tirando in ballo, accanto a Danny Trejo (“Con air”) e Cheech Marin (“C’era una volta in
Messico”), abituali frequentatori dei set rodrigueziani, il redivivo Jeff Fahey (“Il tagliaerbe”).

In realtà, però, si tratta soltanto della presentazione di “Machete” (pellicola che Rodriguez
sta veramente realizzando direttamente per il mercato dei dvd), la quale, nell’edizione originale che vedeva
accorpati “Planet terror” e “A prova di morte”, andava ad affiancare altri tre fake trailer
diretti da Edgar Wright (“Hot fuzz”), Eli Roth (“Hostel”) e Rob Zombie (“La casa del
diavolo”).

E, quando il film vero e proprio prende l’avvio, nei panni del proprietario di un locale di barbecue texano
troviamo proprio un sorprendente Fahey, mentre un dialogo riguardante l’attore Chris Rock ci rende subito
consapevoli del fatto che, nonostante le immagini sembrino uscite direttamente dal decennio della disco music e degli
“zatteroni” ai piedi, complice anche un particolare e ridicolo uso dello zoom tipico dell’epoca,
l’azione si svolge nel XXI secolo.

Un XXI secolo popolato di aggressivi infetti zombeschi generati da un misterioso gas militare contro cui combattono, tra
gli altri, la coppia di medici formata da William e Dakota Block, rispettivamente con le fattezze di Josh Brolin
(“I Goonies”) e Marley Shelton (“Pleasantville”), e Cherry, ballerina che lavora in un locale
notturno, interpretata da Rose McGowan (“Scream”) e supportata da Wray, nei cui panni troviamo Freddy
Rodriguez (“Havoc-Fuori controllo”).

Una serie di nomi che, insieme a Bruce Willis (“Pulp fiction”), lo stesso Quentin Tarantino e Michael Parks
(“La Bibbia”), il quale torna a ricoprire il ruolo dello sceriffo Earl McGraw dei citati “Dal tramonto
all’alba” e “Grindhouse-A prova di morte”, vanno ad impolpare il cast di quello che, agli occhi
dello spettatore comune, potrebbe apparire semplicemente nelle vesti di un delirio ultrasplatter scandito da un ritmo
notevole ed abbondantemente infarcito d’ironia trash ed ottimi effetti speciali.

Non a quelli dell’appassionato di cinema a 360 gradi, però, dotato di un’impostazione
filmografico-culturale che non solo gli fa riconoscere la nostalgica presenza di Tom Savini (effettista di
“Zombi” e “Creepshow”) negli eccezionali panni di attore e del Carlos Gallardo che il regista
lanciò con “El mariachi” (1992), ma gli permette perfino d’individuare nelle ridicole
espressioni sfoggiate dal veterano Michael Biehn (lo ricordate protagonista di “Terminator” e
“Aliens-Scontro finale”?) l’evidente e divertente intento di sbeffeggiare i duri poliziotti che si
prendono grottescamente sul serio all’interno di una certa tipologia di spettacolo su celluloide.

Una tipologia di spettacolo che qui, ancor prima che nella tetralogia romeriana dei morti viventi, sembra trovare i suoi
referenti principali negli zombie-movie tricolori partoriti nel periodo a cavallo tra gli Anni Settanta e Ottanta
(soprattutto “Incubo sulla città contaminata” di Umberto Lenzi) e che, tra trovate degne dei fumetti
(basta citare la già mitica figura di Cherry fornita di gamba-arma, presente anche sulla locandina), logica quasi
inesistente ed assenza di personaggi del tutto positivi, finisce per confermare le lodevoli capacità
dell’artefice della serie “Spy kids” di trattare il genere, tanto da confezionare con “Planet
terror” quello che con ogni probabilità è a tutt’oggi il suo capolavoro e da dimostrare
perfino di essere stato in grado di superare il suo maestro Quentin. (Fonte: filmup.it)









REVIEW (English)



Gore, sex, blood, cars, zombies, and scantily clad women are some of the words that come to mind when trying to describe
"Grindhouse." A grindhouse, as defined in the movie's trailer, is "a theater playing back-to-back films
exploiting sex, violence, and other extreme subject matter." And that is exactly what you get in this three-plus
hour movie experience. Both Robert Rodriguez (director of "Sin City," "Desperado," and "Spy
Kids") and Quentin Tarantino (director of such classics as "Reservoir Dogs," "Pulp Fiction,"
and "Kill Bill") contribute separate films that are played back to back.

The first one to light up the big screen is Robert Rodriguez's "Planet Terror." We find ourselves in a small
town, somewhere in Texas. We are first introduced to Cherry, (Rose McGowan) a go-go dancer who plans to become a stand
up comedian. Meanwhile, at a nearby military base we find that something has gotten loose. Cherry runs into an old
boyfriend, Wray (Freddy Rodríguez), who offers to give her a ride home. To compress a lot of story into a few
words, Cherry loses a leg in a zombie attack, the "something" that escaped from the military base are zombies
and they quickly spread, and Wray is some sort of expert killer. Wray, Cherry, and a handful of other non-zombies battle
the "sickos" and try to escape to safety.

"Planet Terror" is completely ridiculous. Yet, it's a zombie movie so viewers aren't supposed to go in
expecting realism. So because of this, the more ridiculous it became the more I enjoyed it. For example, Cherry's leg
becomes replaced with a machine gun and it was such a ridiculous part of the movie you think I should have been asking
myself how she fires it, but I found myself too amused to question it.

My personal favorite character is Wray. We find out very early on in the movie that he is an expert fighter who has a
foggy past, and he "never misses" with a gun. During a "missing reel," in which the film skips
ahead, we find out a little more about the hero, but still not entirely. A particularly memorable scene is when Wray
goes to the hospital to rescue Cherry wielding two twin knives.

Robert Rodriguez has a talent for making these films that, while completely unrealistic, are very imaginative,
entertaining, and even funny. The visual style of this film is rich. The blood level is turned up quite a bit and as it
spews out of a severed head or an arm you may be reminded more so of "Sin City."

"Death Proof" is up next, but not before we watch a few fake trailers for other films that would undoubtedly
be shown at a Grindhouse. These fake trailers, made by Rob Zombie, Eli Roth, Edgar Wright, and Rodriguez are one of the
highlights of "Grindhouse." Completely ridiculous with titles such as, "Werewolf Women of the S.S.,"
they are a nice comedic break between the two films, and I wouldn't be very surprised if they ended up being in a
"Grindhouse" sequel.

"Death Proof" starts off with three girls going on some sort of road trip to "the lake house."
Before they drive to the lake house, they spend a few hours at a bar. It is here where they meet Stuntman Mike (Kurt
Russell), a former Hollywood stuntman. We later find out that he is a killer who stalks and kills young women in his
black 1971 Chevy Nova SS, which he refers to as, "death proof."

I am the first to admit that I am not a Quentin Tarantino fan; although I will also admit that he has some talent. So I
went into "Grindhouse" expecting to really enjoy his film. He seemed to be pretty excited about this one, and
it seemed like something he has always wanted to make. However, in the end, I was let down.

First, off this film was noticeably slower, following the fast paced action packed "Planet Terror." This
doesn't make it bad, especially since Tarantino is talented in creating entertaining dialogue, and the change of pace
was actually a nice change. Just as I was beginning to get a little bored, Stuntman Mike came into play. Kurt Russell is
amazing and dominates anytime he is on the screen. He is incredibly mysterious and creepy, but at the same time he is
mesmerizing.

In one of the later scenes, Stuntman Mike chases/attacks three women, two of which are conveniently stuntwomen, in his
"death proof" car. The car chase scenes are great and this is where we see the talent of Tarantino come out. I
found myself on the edge of my seat, fists clenched, caught up in the moment. Up until this point everything is just
"all right," with a few minor problems, but in the end "Death Proof" is turned out to be an
enjoyable film.

It is near the end that Tarantino's self indulgence gets the best of him. I'm not going to spoil anything, but for some
reason he feels the need to add one last great action sequence that just felt so incredibly wrong to me. In a film that
is much more realistic, to a certain degree, this just doesn't work. Yeah, it's great to look at, and it's entertaining,
but it doesn't fit the rest of the film.

"Grindhouse" is everything it says it is, "back-to-back films exploiting sex, violence, and other extreme
subject matter." With it's grainy texture, fake trailers, and "missing reels," it is a celebration of a
type of movie that is aesthetically pleasing, and extremely fun to watch. Don't expect to walk away with any life
lessons; just anticipate a fun movie-going experience. Clocking in at a little over three hours it is a little long, but
it never feels it. t's a film best seen in theaters, and I recommend you at least check it out. (source:
tnhonline.com)













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